Gronk, The Meathead: White Privilege NFL/ESPN-Style

Like another revered white sports legend associated with Boston, Larry Bird, Rob Gronkowski has announced an athletic career cut short by a body battered from the sport that brought him fame.

Bird acquired early in his career the monicker “the Hick from French Lick” and was noted for not only his all-around basketball skills and clutch shooting but also his trash talking on the court contrasted with his mostly laconic and distant demeanor off it.

The implication about Bird included that he was smart as an athlete, but less than intellectual while in college or in the life outside of sports left mostly un-detailed.

Gronkowski, often called “Gronk,” has never been as reserved as Bird, but instead has reveled in being called out as a meathead. In fact, his retirement announcement prompted an ESPN morning show to put together a montage that highlighted Gronk, the Meathead, bragging that he hasn’t read a book since ninth grade.

For the frat-boy culture and not-so-cloaked toxic masculinity pervading ESPN, the expected responses followed with everyone laughing about Gronk misidentifying that book’s title (garbling To Kill a Mockingbird as A Mockingbird to Remember).

Gronk’s now-former team, the New England Patriots, represents a pretty disturbing mixture of sport excellence against the rust beneath the shine of championships, including very disturbing controversies—worst of which involved Gronks’ fellow tight end, Aaron Hernandez, convicted of murder.

While the talking heads of 24-hour sports find Gronk, the Meathead, hilarious, we must recall about Gronkowski: “Oh, there’s also this video of Gronk basically offering $10,000 to any couple that will have sex in front of the large group of people.”

A story not included along with a talking head sharing that Gronk once pulled a bottle of vodka from his pants at a function when he invited the ESPN host to join him for a drink.

Just good ol’ All-American fun, right?

But I think an even larger and ignored responsibility is that we should be asking if black men who are professional athletes receive the sort of tremendous boundaries Gronk is afforded as The Meathead.

Black athletes are not—as racial minorities are not in the U.S.

A part of white privilege includes the almost limitless pass for any behavior. A part of being a minority, however, is that any perceived or identified mistake is entirely disqualifying.

As I have discussed before, Marshawn Lynch, for example, always received a much different media framing, often as a thug, from the chuckles accompanying stories of Gronk, the Meathead. See also Richard Sherman, Thug.

I am not particularly concerned about arguments around whether or not Gronkowski is the best tight end ever in the NFL. I am, however, interested in how the white male elites of ESPN and the NFL see a bit of themselves in Gronk.

The same way Joe Biden refuses to criticize Mike Pence or Donald Trump as people.

People who look like me, white men believe, are always essentially good guys. It is the people who don’t look like me who have the fatal flaws of character.

Despite the tremendous labor provided overwhelmingly by black men to the success of professional sports and ESPN in the U.S., both the NFL and ESPN flourish on the magic carpet ride of white male privilege—see the owners, most of the coaches, and much of the fanbase who sees themselves in the sea of white male faces and their dominant perspectives on ESPN.

For the NFL, Gronk, the Meathead, is the poster boy, but the Grand Wizard is his now-former team’s owner, Robert Kraft—billionaire who is using his obscene wealth to battle video evidence he frequented a business practicing human sex trafficking.

While the Dallas Cowboys and their owner, Jerry Jones, are quite a disturbing circus as well, the real “America’s Team” during the Trump era is the New England Patriots.

And now they have lost their Meathead.

And while the 24-hour sports frat parties are going to spend a few days laughing about good ol’ Gronk, the Meathead, there is an owners meeting of the NFL. And in all likelihood, Kraft will ride his magic carpet to the other side of his being sorry for hurting and disappointing others.

In the most tone deaf moment of the brief apology, Kraft offers what can only be seen as the inverse of his real beliefs: “I expect to be judged not by my words, but by my actions.”

That is not the world in which Kraft or Gronk, the Meathead, live.

That is a world for other people, other people who do not look like them.

 

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Operation Varsity Blues: One Corrupt Tree in the Forest of White Wealth Privilege

It’s called the American Dream because you have to be asleep to believe it.

George Carlin

Andrew Lelling, the US attorney for Massachusetts, made a nearly laughable opening claim in his press conference about a college admissions scandal named “Operation Varsity Blues”:

“This case is about the widening corruption of elite college admissions through the steady application of wealth combined with fraud,” Lelling said. “There can be no separate college admission system for the wealthy, and I’ll add that there will not be a separate criminal justice system either.”

He added, “For every student admitted through fraud, an honest, genuinely talented student was rejected.”

Nearly laughable, in part, because this grandstanding of justice wants to proceed from the position that discovering the wealthy gaming a system they already control is somehow shocking (it isn’t), and nearly laughable as well because Lelling offered as context and with a straight face the following:

We’re not talking about donating a building so that a school’s more likely to take your son or daughter.

We’re talking about deception and fraud – fake test scores, fake athletic credentials, fake photographs, bribed college officials.

The layers of bullshit in what is being called a “massive admissions scandal” are nearly as complicated as the story itself, an intricate web of complicit parents, college and athletics officials, SAT/ACT shenanigans, and a charlatan mastermind at the controls—as reported by Kirk Carapezza:

Here’s how Lelling says it worked. Between 2011 and 2018, wealthy parents paid Rick Singer, the head of a foundation and a for-profit admissions consulting service, more than $25 million. Singer would then use that money to pay a ringer to take the SAT or ACT for children or correct their answers. He’d also bribe Division 1 coaches.

Here’s one layer: Despite the very serious tone and facial expressions at the Department of Justice’s press conference, Lelling’s rhetoric remains complete bullshit. In the U.S., these has always been and continues to be two distinct admissions processes for college and two distinct justice systems.

In fact, in every way possible there are two Americas [1], neatly divided by wealth and race. Being wealthy and being white provide significant privileges and then those who enjoy those privileges routinely and without consequence leverage that privilege for even more advantages at the expense of everyone else.

The great irony of the so-called college admission scandal is that the wealthy in the U.S. promote false narratives about merit and rugged individualism while actively perpetuating their own privilege, which buoys mediocrity, at best, and a complete absence of merit or effort at worst.

The wealthy are driven to maintain the veneer of “well-educated” because it provides cover for that mediocrity and privilege.

To be white and wealthy allows them to skip college and still thrive while people of color and the poor scramble to gain more and more eduction even as the rewards remain beneath the truly lazy and undeserving rich:

[F]amilies headed by white high school dropouts have higher net worths than families headed by black college graduates.

…First, understand that blacks and Hispanics have lower incomes than whites up and down the educational spectrum.

On average, black families at a given level of educational attainment receive incomes that are just 66% of what white families at the same level of educational attainment receive. For Hispanic families, that figure is 79%. Naturally, when education-controlled income disparities like this exist, education-controlled wealth disparities will exist.

Second, understand that even blacks, Hispanics, and whites with the same incomes have dramatically different net worths.

On average, black wealth is 26% of white wealth, even controlling for income. For Hispanics, the figure is 31%. Peruse the studies above to try to tease out why. Note here though that, according to Gittelman and Wolff, this is not because blacks have lower savings rates. Inheritance and in-life wealth transfers also appear, in all of the studies, to play a non-trivial role. (Bruenig, 2014)

Lori Loughlin and her social media star daughter are not some sort of outlier evil geniuses who found a loop-hole in the system; they are the faces of the system.

This is how America works.

Ivanka Trump, also, is no evil genius, no outlier, and also not a deeply delusional woman. She believes the narrative that she has been taught even as her life completely contradicts those myths of meritocracy and bootstrapping.

I imagine those parents implicated—and the many more who will skirt by this time as wealthy people most often do—have convinced themselves they used their means for the good of their own children, as anyone would do if having those same means.

And this is the myopia of white wealth privilege in the U.S., the blindness of rugged individualism that allows some to believe they are either above or somehow disconnected from everyone else.

As reported by Cydney Henderson, Loughlin’s daughter used her celebrity and a dorm room someone else more deserving did not have to promote her brand, and make money of course:

Olivia Jade moved into her college dorm in September 2018, documenting the milestone on Instagram through a paid partnership with Amazon’s Prime Student. It’s a standard practice for social media influencers to earn money from companies by advertising products to their followers.

“Officially a college student! It’s been a few weeks since I moved into my dorm and I absolutely love it,” she captioned the post. “I got everything I needed from Amazon with @primestudent and had it all shipped to me in just two-days.”

This is America, at least one of the Americas, the one we worship despite it being a gigantic lie, as Carlin says, the club we will not be allowed to join.

“Operation Varsity Blues” is not a surprise, then, but we must guard against it being yet another gear in the privilege machine, a distraction.

This so-called college admissions scandal is but one tree in the much larger and more powerful forest of white wealth privilege.

As we become fixated on Aunt Becky, we continue to ignore legacy admissions, a criminal justice system best understood as the New Jim Crow, the lingering racism and sexism in high-stakes standardized testing, the school-to-prison pipeline and schools as prisons, and a list far too long to include here.

Like whiteness itself, wealth must remain invisible in the ways it perpetuates privilege and inequity.

This college admissions scandal is an opportunity to pull back and take a long and critical look at the whole forest, a much uglier reality than we have been led to believe.


[1] See the following:

Mything Truth

A confrontation in Washington DC this past weekend has introduced yet another image certain to join a disturbing history of white America:

About a year and a half ago, we were asked to confront this:

As the Covington Catholic student controversy has been unfolding, I felt compelled to add this warning on social media:

Don’t be distracted. Regardless of exact details of the controversy around the private school students and the Native American veteran, stay focused on how this PROVES the ugly power of white/wealth privilege. Every. Time. White/wealthy insures a calvary will rush to protect you, to lie if necessary, but in the end, you will be insulated from your behavior regardless of your innocence or guilt.

And then the predictable occurred: White men inserting themselves into the comments, attacking me and offered the standard “white male privilege is a myth” response.

As a white man with a great deal of social capital and economic slack, I am a first-hand witness to what people say and do when only whites are around, when only men are around. I am not speaking about hypotheticals, but about how this world absolutely functions.

Few lies are more flimsy or toxic than denying white male privilege (skim the evidence). But we must note how it is always white men who rush to deny, and attack.

Simultaneous with the shifting and expanding narrative around the Covington Catholic student confrontation, I watched the newest Coen brothers film, The Ballad of Buster Scruggs.

the-ballad-of-buster-scruggs-final-poster

I have long been an admirer of the craft of the Coen films, but their work also presents a disturbing problem: While there is a high-level of art and craft in the work, we must also acknowledge that the work is very white, and possibly too often uncritically white.

Ballad has received the usual critical praise the Coens enjoy. Richard Brody is effusive:

The Western is the most inherently political genre, and, with “The Ballad of Buster Scruggs,” their two-hour-plus anthology of six short Westerns, Joel and Ethan Coen have made an exemplary political film. (It’s already in limited theatrical release and will launch on Netflix this Friday.) It is a movie put together from bits and pieces of cinematic tropes, conventions, and clichés, including ones borrowed from a range of genres, from ingenious physical comedy to romantic lyricism to Gothic horror. But all are united by a giddy Western revisionism centering upon a common theme: the relentless cruelty, wanton violence, deadly recklessness, and cavalier abuses of unchecked power that prevailed in the thinly and casually governed Wild West. Whether with outrageous antics or metaphysical mysteries, the Coen brothers fill the film with a subtle nose-thumbing; they’re laughing up their sleeve at the long-standing exaltation of the West as a primordial realm of titanic heroes, and at a society that even now consumes Western legends and spits them back in the form of historical verities and political pieties.

Brody gives the Coens one of the usual passes, in fact: “The movie sets up its action with the droll framework of an old, illustrated book of Western stories, further emphasizing that this movie is—like the Western stories that it parodies—a batch of back-constructed tall tales.”

Parody is among the safest refuge for those artists with privilege. “We are just depicting the world as it is, in all its flaws,” they shrug, “so that the audience can draw their own conclusions.”

And Matt Goldberg offers the ultimate stamp of approval by suggesting that this film rises to the level of universal in the final story, “The Mortal Remains,” a tour de force of Coenesque dark humor: excellent acting driven by loquacious characters, each representing a different philosophy:

What these kinds of conversations point out is that we struggle to put everything together, but we can only do the best through our own point of view. We’re extremely confident in that point of view, and as the Englishman notes, “We love hearing about ourselves. As long as the people in the stories are us, but not us. Not us in the end, especially.” We’re all guilty of confirmation bias, and yet that will not save us. The Lady is just as dead as the Frenchman who is just as dead as the Trapper.

It is another story, however, “The Gal Who Got Rattled,” that fits best into the real-world controversy involving private school boys, Black Israelites, and a Native American veteran.

“The Gal” involves some of the most enduring, and problematic, elements of the Western film: a wagon train and the ever-present threat of attacking Indians.

The climax of this story finds one of the wagon train leaders, Mr. Arthur, and the central woman, Alice Longabaugh, trapped in a gun fight with the standard image of Indians appearing menacingly atop a ridge.

Aided by prairie dog holes, the rugged (white male) individual, Mr. Arthur, poises himself against several waves of Indians on horseback; in the balance is Alice’s womanhood-as-assumed-virginity.

Among those of us with at least a modicum of experiences with Western films (John Wayne, spaghetti Westerns/Clint Eastwood), this story triggers thoughts of “circling the wagons” (used uncritically, this is packed with racist stereotypes and erases imbalances of power and Westward expansion as genocide)*  and the calvary.

This brings me back to the confrontation in Washington DC, a confrontation among two marginalized groups—blacks and Native Americans—and the privileged white male students from an expensive private school.

Of those three groups, only one has hired a PR firm, and despite the apologists for the Covington Catholic students shouting that the whole picture absolves, somehow, these young men and the culture that spawned them, that whole story now includes video of the boys in their red MAGA hats taunting a young woman and truly incriminating evidence that the school has at least allowed a deeply antagonistic culture of white arrogance:

I suspect the apologists do not really want the whole story, no more so that America wants the whole and ugly story of our so-called Wild West.

Regardless of all the details, as I cautioned, we must be willing to see that the Covington Catholic students are examples of the power of privilege, the guarantee that privilege insures a white calvary will come.

For those interested in the truth and not mything truth, I offer here at the end some of the best full pictures of the confrontation:


* This post and blog title have been revised to addressed racially insensitive use of language.

The Meek

When I read this thread on Twitter, I cried:

I read this the day after I walked across campus from my parking lot to my office. Two students approached, holding hands while laughing and smiling as they talked.

They both made eye contact with me, smiling, and spoke.

I thought about my granddaughter, who snuggles still against me. She is four now, and the first thing she does when she walks into our house is take off her shoes and socks.

When we sit together, I hold her bare feet. It is our holding hands.

How any of us treat our own children, and other children, how a people view and treat all children—this reveals a great deal about character that we tend to ignore in the U.S.

In short, we are an awful people, a disturbing antithesis of the so-called Christian values many want to wave like a tattered American flag in the face of the world.

When Barbara Kingsolver wrote about being in Spain with her daughter, she concluded: “This is not the United States.”

Kingsolver explains:

With a mother’s keen myopia, I would tell you, absolutely, my daughter is beautiful enough to stop traffic. But in Santa Cruz de Tenerife, I have to confess, so is every other person under the height of one meter. Not just those who agree to be seen and not heard. When my daughter gets cranky in a restaurant (and really, what do you expect at midnight?), the waiters flirt and bring her little presents and nearby diners look on with that sweet, wistful gleam of eye that before now I have only seen aimed at the dessert tray. Children are the meringues and eclairs of this culture. Americans, it seems to me now, sometimes regard children as a sort of toxic-waste product: a necessary evil, maybe, but if it’s not their own they don’t want to see it or hear it or, God help us, smell it.

The U.S. is a culture of rugged individualism, no sense of community, as Kingsolver adds:

In the United States, where people like to think that anyone can grow up to be President, we parents are left very much on our own when it comes to the little Presidents-in-training. Our social programs for children are the hands-down worst in the industrialized world, but apparently that is just what we want. In an Arizona newspaper, I remember seeing a letter from a reader incensed by the possibility of a school budget override. “I don’t have kids,” he declared, “so why should I have to pay to educate other people’s offspring?” The budget increase was voted down, the school district progressed from deficient to dismal and one is inclined to ask that smug nonfather just whose offspring he expects to doctor the maladies of his old age.

Our nation has a proud history of lone heroes and solo flights, so perhaps it’s no surprise that we think of child-rearing as an individual job, not a collective responsibility.

And our calloused disregard for children is not our only sin against the meek in the U.S. We are a violent and abusive people for girls and women as well.

Responding to conservative and evangelical support for Brett Kavanaugh (and Trump), Carly Gelsinger offers a disturbing analysis based on her own experiences growing up in “purity culture” driven by the evangelical church:

There exists a generation of women who were never taught consent ― and I’m not talking about Boomers. I’m talking about the hundreds of thousands of us who were raised in church and came of age at the turn of the millennium.

In our world, we were taught that our bodies didn’t belong to ourselves. God owned them, they said, but really, that meant that men owned them. Our fathers. Our pastors. Our husbands. Our politicians. Never ourselves.

Gelsinger recognizes that “[p]urity culture taught young girls to bear responsibility for men’s lust.” And then she catalogues her own experiences as a victim of men because of that culture.

Through her story we must recognize that the U.S. is a large and perverse frat culture in which the meek are initiated through the gauntlet of toxic masculinity and toxic privilege.

If the meek will inherit the earth, the cost of that initiation is far too high and a scar on a people who want to pretend, like Kavanaugh, that we are good and decent folk.

The Slowly Approaching Rumble of the “White Noise” of Privilege

Perchance he for whom this bell tolls may be so ill, as that he knows not it tolls for him; and perchance I may think myself so much better than I am, as that they who are about me, and see my state, may have caused it to toll for me, and I know not that.

Meditation XVII, John Donne

although you’re older—and white—
and somewhat more free.

“Theme for English B,” Langston Hughes

For my first-year writing students, Roxane Gay’s “Peculiar Benefits” serves as a powerful mentor text and an effective entry point into a difficult topic, privilege.

“Privilege is a right or immunity granted as a peculiar benefit, advantage, or favor,” Gay explains, adding:

There is racial privilege, gender (and identity) privilege, heterosexual privilege, economic privilege, able-bodied privilege, educational privilege, religious privilege and the list goes on and on. At some point, you have to surrender to the kinds of privilege you hold because everyone has something someone else doesn’t.

While her essay demonstrates the effectiveness of grounding an argument in personal narrative—her own Haitian heritage and trips to Haiti that confronted her with that country in contrast to the US—Gay also acknowledges the inherent struggle to address privilege in meaningful ways:

The problem is, we talk about privilege with such alarming frequency and in such empty ways, we have diluted the word’s meaning. When people wield the word privilege it tends to fall on deaf ears because we hear that word so damn much the word it has become white noise.

From #BlackLIvesMatter to #MeToo, I have begun to wonder if a growing rumble approaches, a rising toll that will someday no longer be only “white noise.”

Many in the US strongly resist discussions of or acknowledging privilege, as Gay notes, and part of that resistance is grounded, I think, in the cultural narrative created and perpetuated by the power elites—mostly white men: Political and economic status in the US has been earned through merit, and not privilege.

That cultural narrative is mostly a lie since the original power grabs were almost all at the expense of others (slavery and denying women equal status with men, for examples) and then those advantages—privilege—have been accumulated over many, many generations. That historical expanse has helped reduce privilege to “white noise,” it seems.

The recently stalled appointment of Brett Kavanaugh represents both the entrenched refusal of privilege and the potential eroding of the merit-cloak shrouding the truly disturbing underbelly of life-long privilege.

Kavanaugh’s interview to defend himself and proclaim both his innocence and determination to continue the appointment process has some telling features:

“I’ve always treated women with dignity and respect,” Kavanaugh insisted. “Listen to the people who’ve known me best my whole life.” Did he commit sexual assault? He “never saw any such thing.” Did he engage in lurid sexual encounters? He “never participated in any such thing.” Rather, he was focused on “trying to be No. 1 in my class” and “captain of the varsity basketball team” while working on “service projects” and “going to church.” Also, he did not have “anything close to sexual intercourse in high school or for many years thereafter.”

The denial extends beyond claiming not to have committed sexual assault to never hearing of misconduct at his school or by classmates, punctuated with his own choir-boy self-description.

This picture is the merit-veneer narrative common among the privileged who have created and maintained a network of privilege. Kavanaugh’s appointment is a blueprint for circling the wagons among the connected to protect each other regardless of who or why.

Kavanaugh’s assertions stretch credibility, however, not just for those attending elite private school but for anyone who has ever attended any high school in the US. Teens drinking and sexual misbehavior are all too common parts of adolescence, but even more damning are artifacts from Kavanaugh’s own high school experience and published accounts by his peers and friends, notably Mark Judge:

Judge, 54, has chronicled the debauchery of his 1980s high school years as a student at Georgetown Prep, where he and Kavanaugh were self-proclaimed members of the “100 Kegs or Bust” club.

In his 1997 memoir, “Wasted: Tales of a Gen X Drunk,” he wrote of high school “masturbation class,” said he “lusted after girls” at Catholic schools and referenced a passed-out “Bart O’Kavanaugh,” who drank too much and once threw up in a car.

This Kavanaugh debacle is a slightly more polished but perfectly aligned part of the larger Trump phenomenon grounded in lies and denying evidence. While Trump plays the cartoonish buffoon, Kavanaugh is sprung from the refined elites who, as this unmasking is exposing, have very ugly lives under the cover of privilege—the ruling vampire class of the US.

As the perverse and contradictory claims reveal about the cavalry forming to defend Kavanaugh—including women—somehow Kavanaugh is both innocent of sexual assault (because he was a virgin and attended church) and the poster boy for “all boys have sexual assault in their pasts” and “we cannot allow boyhood indiscretions to ruin the promising futures of some men.”

And beyond the specific Kavanaugh controversy and the subsequent defenses, even more disturbing is the rise of concerns about all men now being afraid of #MeToo consequences joined by garbled memes about mothers fretting over their sons’ futures (see this Twitter thread dismantling that narrative).

Ultimately, the US is now poised to make an important decision about continuing to ignore the white noise of privilege or hearing the rising rumble that tolls for the abusive and corrupt privileged elites.

The Kavanaugh accusations sit against the merit-veneer narrative orchestrated by Kavanaugh (and echoed by Trump and his ilk) as well as the often-ignored weight of evidence:

“Sexual assault is likely the most under-reported crime in the United States. About two-thirds of female sexual assault victims do not report to the police, and many victims do not tell anyone. Sexual assault is a terrifying and humiliating experience. Women choose not to report for a variety of reasons — fear for their safety, being in shock, fear of not being believed, feeling embarrassed or ashamed, or expecting to be blamed.

“A lack of reporting does not mean an assault or attempted assault did not happen or is exaggerated. Research demonstrates that false claims of sexual assault are very low — between 2 and 7 percent. This tells us that far more women are assaulted and don’t report than women who make false claims.” (Statement of APA President Regarding the Science Behind Why Women May Not Report Sexual Assault)

A people disgusted by the sordid underbelly of privilege must reject the merit-veneer narrative and choose the greater path to not only truth but also equity.

#MeToo is a reckoning about sexual assault and the silencing of women.

Everything about the Kavanaugh narrative rings false, and we are far past time to silence the lies of privilege.

Comedy Is Not Pretty: In Black and White

Mix all the colors of light and we see white; the absence of light is black.

Mix all the colors of pigment and we see black; the absence of pigment is white.

This paradox of how we see color often is the source of debate; I’ve heard students complain about being taught different facts in art and physics classes. But it also serves as a useful metaphor for the problem of color as a foundation of race and racism.

When I was young and still discovering and shaping who I am (and necessarily coming to terms with race in the deep South), I was profoundly influenced by stand-up comedians—George Carlin, Richard Pryor, and Steve Martin among the most influential.

Martin’s 1979 comedy album, Comedy Is Not Pretty, is a prescient title for two contemporary stand-up comedians whose routines, viewed together, capture nearly perfectly everything that is wrong with contemporary understanding about race and racism: Dave Chappelle and John Mulaney.

Having recently watched Chappelle’s and Mulaney’s newest specials, I was struck by how many of their bits were similar—both used their wives’ minority status to tread on dangerous material, both depended on meta-jokes based on reactions to their routines, both weaved in political humor with the autobiographical, both worked blue, and each addressed race.

However, these two men and their routines are also profoundly different—Chappelle is very much a black comedian (think Pryor), and Mulaney is very much white (think Jerry Seinfeld).

And I imagine anyone knowing these comedians finds this distinction a bit simplistic, even bordering on crass, but I want to argue here that race becomes the defining element of their work, and as such, exposes a central problem in public discourse about race and racism: Many whites are apt to resist discussions of race and racism with “Why does everything have to be about race?” or “I don’t see color.”

Let’s start with a few clips, a shortened version of Mulvaney’s Trump skit (here on TV, but expanded in his new special) and a couple clips from Chappelle on Netflix:

Mulaney’s political humor is indirect; it is metaphor—in a similar way his profanity is rare and his special includes one direct reference to being white.

Chappelle’s political humor, profanity, and race, by comparison, are direct, even blunt, and pervasive. Consider especially the second clip above.

Because of his whiteness, his privilege, Mulaney is afforded the space of being indirect while Chappelle, even as he acknowledges his wealth privilege, cannot risk these subtleties.

The paradox of race/racism in human behavior is parallel to the paradox of color in light/pigment: For whites, race seems always invisible because white is the norm of U.S. culture (the absence of race is white), but for blacks, race is a constant reality, something always visible (the presence of race is black).

The media rarely identify race for whites, but nearly always do for black and brown people—especially in criminal situations.

Whites, then, watching Mulaney are apt to see the routines as not about race (even though the entire routine is imbued with whiteness) and mostly not political (although, again, his entire routine is a political commentary); those same whites, we can guarantee, would see Chappelle as racial (if not, to misuse the term, racist) and strongly political.

The problem with race/racial/racism as that intersects with political is that everything in human behavior includes both, but the norms make one invisible to the dominant race (white) and omnipresent to the marginalized race (black). And thus, all human behavior is political either by omission (maintaining those norms) or by confrontation (changing the norms).

Mulaney, in his whiteness and the primary state of omission, becomes a seemingly less radical comedian; Chappelle, in his blackness and confrontation, becomes a seemingly more radical comedian.

I include “seemingly” because, as Chappelle acknowledges, both comedians work with wealth privilege—even as Chappelle is not afforded through that to rise about his being black (see his skit about being pulled over by the police while a friend is driving for him).

Almost 40 years past Martin’s visual gag (and he too may seem less political in his whiteness), Chappelle and Mulaney offer by comparison comedy that is not pretty, but is pretty sharp in terms of modeling the lingering problems with race and racism in the U.S.

The Lazy Libertarian Lie: Paul Ryan Edition

Before the expected Ben Folds’ “Rockin’ the Suburbs” “Let me tell y’all what it’s like/Being male, middle-class, and white/It’s a bitch, if you don’t believe” response can envelope this post, I want to offer a few caveats.

I have strong libertarian tendencies, ones that have drawn me to a Henry David Thoreau sort of thinking grounded in rejecting authority and appreciating that adults should be allowed to live as they please within the constraints (see below) that acknowledge a simple but inescapable truth: “No man is an island, entire of itself; every man is a piece of the continent, a part of the main” (John Donne, Meditation XVII).

And I know some self-declared Libertarians who are somewhat evangelical about their ideologies but, none the less, routinely demonstrate that they have souls—even as they haven’t rectified the disconnect between being a soulless Libertarian (a redundancy) and living life in any sort of humane way. And thus, I am not really holding forth below about those Libertarians who ultimately do not live by what they profess.

The lazy Libertarian lie depends on several failures of logic.

One is the “damned government” argument such as those who refuse to wear helmets while driving a motorcycle or rail against the shrinking areas allowing people to smoke (although laws still permit adults to smoke in their homes and cars while under-age and non-consenting children are present, and are thus inhaling the toxic smoke that the law prevents them to inhale by purchasing cigarettes).

This argument is, at its core, a fundamental cluelessness about individualism—in short, the lack of awareness, see Donne above, that individualism simply does not exist.

Taking risks—no helmet, smoking—never has consequences only for the risk taker. Trauma and illness resulting from this risk taking stress unnecessarily a health care system that impacts everyone else.

Despite these “I did it my way” risk takers’ choices, EMS and medical staff are ethically obligated to keep them alive, often a tremendous drain on their time and at great costs (trauma care in the ER and after, cancer treatment, etc.).

Another of the great logic fails is the “I built this” crowd, the ugly but enduring lie of the self-made billionaire.

All individual wealth in the U.S. is built on other people’s labor and facilitated by (brace yourself) the “damned government”; for example, there are no business ventures possible at the degree experienced in 2018 without the road and highway system in the U.S. (brace yourself: publicly funded).

And the entire free market fetish for property and personal property is possible only because of the legal and justice system that monitors a relatively high level of property safety.

And this brings us to poster boy Paul Ryan, an incredibly dishonest Libertarian (when it suits him) who cherry-picks his Ayn Rand adolescent rants.

Like the political Rands, and the cartoon Randites like Rush Limbaugh (who pronounces her first name as “Ann”), Ryan has profited handsomely from his white man Teflon and his American mythology sound bites grounded in lazy Libertarian lies.

Ryan lies about his athleticism.

And as James Fallows has documented, Ryan lies “in ways large and small.”

Behind the hairdo and the suits, Ryan has been trafficking in the racism and poverty-hating that some think was created by Trump.

Like Ayn Rand herself, Ryan has announced the end to his career in politics (brace yourself: Ryan is the “damned government”) and is poised to received $79,000 annually for life (brace yourself: tax dollars just handed to him for doing nothing).

Ultimately, Ryan embodies the great big pile of excrement that is the lazy Libertarian lie: My ideology is mostly about what I want for you, but not at all what I want for me.

You see, there simply are no rugged individuals. Not a damned single person who has pulled themselves up by the bootstraps.

Like the horrible literature and vapid philosophy of Ayn Rand, these are not enduring American myths, but calloused lies in no way grounded in reality.

They are designed to aggrandize the wealthy and demonize the poor; yet they are lies about both.

The sinister irony of these lazy Libertarian lies is that the wealthy and privileged are more likely to be the immoral and unethical class in the U.S. than the working class and poor.

My libertarian urges of boyhood, grounded in Thoreau and Emerson (not Rand), ended with my boyhood.

I grew up, physically, intellectually, and morally.

I recognize and appreciate collectivism, community, and collaboration.

A turning point for me was John Dewey’s pragmatism, an argument that either/or thinking fails humans. In short, Dewey argued that it is a false choice between individualism and collectivism—that they are symbiotic, not antithetical.

Any libertarian urges that remain—and they do because I certainly fear totalitarianism and regret that so little of life in the so-called “free” U.S. is actually free—are always tempered by what has come to be for me the greatest acknowledgement of the moral imperative of collectivism that grounds me, by Eugene V. Debs:

Your Honor, years ago I recognized my kinship with all living beings, and I made up my mind that I was not one bit better than the meanest on earth. I said then, and I say now, that while there is a lower class, I am in it, and while there is a criminal element I am of it, and while there is a soul in prison, I am not free.

My freedom is inevitably bound to everyone else’s freedom—and this is the great moral truth denied by the lazy Libertarian lie.