Category Archives for literacy

Misreading Cause and Effect in Literacy Instruction: Vocabulary Edition

A former student of mine in teacher education, who was an English major and is in her third year of teaching, excitedly shared with me that her high school English students have spontaneously begun maintaining a vocabulary list.

What is interesting about this vocabulary list? Students are cataloguing the words they are learning simply by hearing this teacher use the language of a highly literate and well-educated person.

Marakoff word wall

Word wall created and maintained by students at Travelers Rest High School (South Carolina).

I take no credit for this, but this real-world, spontaneous, and rich environment for literacy growth does reflect (although in a more effective way) what I share with my teacher candidates about my 18 years teaching high school English.

Eventually, I ended the practice in my English department of issuing grammar textbooks and vocabulary workbooks to all students. Teachers were given sets of both and allowed to use as they pleased. In my classes, neither were used in any way.

As the example above from my former student’s class shows, I would model for my students how to discuss literature (texts), films, and popular music, often restating their comments in more sophisticated and complex ways.

Gradually, and spontaneously, my students began to mimic the language and terminology in their discussions and writing.

Coincidentally, my former student’s excitement over her students’ vocabulary activities preceded by a couple days a post on NCTE Connects asking about effective vocabulary instruction. I immediately responded:

Like grammar instruction, vocabulary instruction is deeply misguided when it is in isolation and vocabulary-for-vocabulary’s sake. People are confused and tend to invert erroneously what people with high literacy and large vocabularies mean. Vocabulary is a consequence of rich and extended literacy experiences; cramming vocabulary INTO students is not how you make someone highly literate. In short, if you care about vocabulary, reduce dramatically time and energy spent on vocabulary instruction and focus on rich literacy experiences, notably reading by choice and vibrant discussion. One early-career teacher I know has witnessed her students initiating a vocabulary list of words she teaches them simply through her own expression (her talking to the classes and students); they hear new words almost daily, ask her about them, and are engaged in authentic vocabulary attainment. Also fyi: Power of Common Core to Reshape Vocabulary Instruction Reaches Back to 1944!

This comment is brief so I want to elaborate on some of the key points.

First, the traditional urge to teach literacy skills—grammar, mechanics, usage, and vocabulary, for example—in isolation and sequentially to build toward some ideal whole is deeply engrained but also deeply flawed.

I find this to be the result of uncritical assumptions about the power and effectiveness of analysis. Education has embraced a truism that likely isn’t true: working from part to whole is easier and better for all learning.

How many of us have uttered or been told, kindly, “Let me break this down for you”?

Let me pause here and ask you to do a thought experiment (or maybe just focus on a very specific memory).

Have you ever purchased something you had to assemble? Furniture, a swing set, the hellscape that is anything from Little Tikes?

These items come with detailed instructions, guiding you from part to whole to construct whatever you have purchased. Have you ever been compelled to dutifully follow those directions, laying out the parts as directed and then meticulously beginning your project?

And do you recall that moment when you were mostly lost because you couldn’t really decipher the directions? What did you do? Maybe you grabbed the box and began comparing your Frankenstein’s monster scattered on the floor with the whole thing depicted in the picture on the box?

This urge, some brain research suggests, may be rooted in that only about 1 in 4 people are predisposed to part-to-whole thinking—while 3 in 4 of us work naturally whole-to-part*.

Here is a powerful example of how norms and assumptions can create ineffective practices. Literacy instruction may not be more efficient or effective for most of our students in traditional approaches grounded in skills instruction because literacy is wholistic.

Next, this flawed set of assumptions is also driven by flipping—and misreading—cause and effect in literacy growth.

Yes, highly literate people and sophisticated uses of language are often characterized, for example, by large and complex vocabularies. However, this characteristic is an outcome, an effect.

The mistake too many make in literacy instruction is viewing targeted vocabulary expansion as a cause for rich literacy; thus, extensive vocabulary lists, workbooks, and tests (including nearly fanatical instruction in prefixes, root words, and suffixes) that waste time and energy better spent in the real cause of literacy growth—rich literacy experiences such as reading often and deeply by choice and having complex discussions grounded in those rich experiences with a wide variety of texts.

Here is a relatively simple and more accurate truism, then: A large and nimble vocabulary is an effect of rich literacy experiences—not the cause of literacy development.

So here is a final thought experiment: Imagine taking those vocabulary workbooks out of your students’ hands (and backpacks) and then lead them to the school library, introducing them to the greatest vocabulary books available lining the shelves all around them.

* My argument about the relationship between part and whole, after almost four decades of teaching and spending much of that studying intently the research on literacy acquisition and growth, is that part and whole are symbiotic, working together in ways that defy a linear/sequential model. So I am not really rejecting part-to-whole for whole-to-part, but arguing for whole-part-whole-part … something not easy to express in words or a diagram.

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“[A]ll this fiddle”: On Genre Wars in a Time of Craft Beer

Poetry MM

“Poetry,” Marianne Moore

Several years ago I was initiated into the craft beer world—having been a serious drinker of beer since high school but being a somewhat resolute low-brow consumer in many ways eschewing the snobbery I witnessed among wine connoisseurs.

Along with my cycling friends Rob and Brian, I made a couple trips to Colorado for bicycling and beer; while on those trips, I was gradually indoctrinated into a more refined understanding of craft beer, mostly guided by Brian.

Today, I frequent local and regional breweries almost exclusively for my beer drinking—along with my one remain low-brow habit of grande Dos Equis ambers a couple times a week at Mexican restaurants.

I remain far too naturally unsophisticated to ever grasp wine nuances, although I have friends who can easily convince me to enjoy wine with them, but my beer palate is moderately well educated, and I do enjoy a wide range of craft beers that I am certain baffles the mostly Bud Light crowd of my hometown and state.

Having come to beer snobbery late in life, I find the distinctions about “good” or “bad” beer quite similar to the genre wars that I have been living since I was a teen since my introduction to so-called literary fiction was significantly primed by my initial love for science fiction (mere “genre” fiction) and comic books (not any sort of literature at all!).

In Literary fiction or genre? When Megan Abbott and Naomi Novik are writing, who cares, Michale Robbins opens by confronting: “If there’s a distinction between ‘genre fiction’ and ‘literary fiction,’ it’s certainly not that the former isn’t literary and the latter isn’t generic. It’s mostly that the generic conventions of the latter are those that critics and professors are trained to value most.”

A former student, who was a top-notch English major and now teaches English, recently finished reading Donna Tartt’s The Goldfinch and drew the same conclusion—if we remain in a formalist paradigm of what counts as “literary,” then Tartt’s novel may well be pronounced so much popular fiddle.

Yet, as my former student noted, the novel could just as easily be praised if we change our metrics, set aside our snobbery.

John Warner’s Is ‘The Great Gatsby’ really required reading? Disrupt Texts challenges teachers to reconsider the classics also ventures into the debate about such snobberies grounded in the canon:

Much of the discussion among educators focuses on how using these texts can be enhanced by injecting marginalized perspectives. This is the “disrupt” part of Disrupt Texts. Rather than taking a single perspective as representative for all, the discussion challenges the notion of a single, fixed history. This is the root of critical thinking and a pre-requisite to lasting learning.

Education isn’t merely transmitting information; students must be taught to make meaning for themselves.

Warner’s last point can be extended, I think, to giving students not the right or only lens for evaluating texts (using the often unnamed New Criticism approach to dissecting text often written with New Criticism’s emphasis on craft and meaning in mind) but many and varied opportunities to examine texts in order to draw their own ways to navigate texts (a variety of lens, some more formal such as feminist or Marxist) and their own guidelines for what makes texts compelling, satisfying, and even “good.”

My former student and I continued to discuss her experience with The Goldfinch, the challenges, I noted, of making a really long novel satisfying. Tartt’s work, she said, was enjoyable to read, but she felt it failed in some important ways—ways I categorize as achieving or not that “satisfying.”

This discussion prompted me to think about Haruki Murakami’s 1Q84, a very long and complex work.

When I first read 1Q84, I was initially drawn to the rotating main characters, but when a third focal character is introduced, I began to feel uncomfortable, a sense that the novels’ cohesion was being compromised.

Also I was uneasy with Murakami’s novel being labeled “science fiction”; I could not see anything about the work as I read it that would make me classify it as that genre (maybe something like fantasy or magical realism?).

I find all of Murakami compelling so I read quite eagerly even as I was uncomfortable with the possibility that the long work would not remain cohesive (I am sure my English training in New Criticism and literary snobbery were in play here as well). However, the work came together, fell into place—although how that happens is at least fantastical (one would argue a convention of genre not literary fiction).

All of this is to say that as an experienced and autonomous reader I have developed capacities for interrogating texts, mostly to determine if I enjoyed the work and the writer.

Some of my formal background as a student and English education major/English teacher actually inhibits my joy as a reader—a reality all too common for students.

The genre wars, then, often create barriers to reading and reading for pleasure.

In Moore’s “Poetry,” her second stanza evokes “high-sounding interpretation,” “unintelligible,” and “we/ do not admire what/ we cannot understand.”

Writers, like Moore and others, it seems, do themselves play into the genre wars and all that snobbery, especially about what constitutes the “good” writers as distinct from the hacks. But in the end, writers are mostly about having readers, readers eager to read, readers satisfied by a compelling and cohesive text—wishing for a next story, or book, or essay, or poem.

I cannot shake from my own mind as a reader the importance of texts being satisfying, cohesive. But I also think about my joy as a reader.

Two of the most wonderful texts I have ever read are Roxane Gay’s “There is No ‘E’ in Zombi Which Means There Can Be No You Or We”  and Carmen Maria Machado’s “The Husband Stitch”—beautiful, compelling works of fiction that depend heavily on so-called genre conventions but rise well above the bar of satisfying (even if we cannot resist the allure of evaluation, whether they are “literature”).

As a reader I am seeking writing that demonstrates purpose, a fidelity, I think, to the sort of writing the writer intends, the sort of text I am choosing to read.

Everything else is just fiddle, like calling Miller High Life “The Champagne of Beers.”

The Unbearable Lightness of Being a Practitioner in Education

In the final days of my Summer I graduate course, my department chair asked me to switch from the Summer II graduate course I was assigned (a new preparation I had worked on diligently to teach for the first time) to a literacy course in which the instructor could no longer teach the class.

This course was one I have never taught, and thus, would have to prepare in just a few days to take on—scrambling as I did to understand the other instructor’s syllabus and schedule while also facing the herculean task of teaching from four assigned books that I have never read.

This afternoon, then, when I face these graduate students, I will confess that I have never taught elementary literacy (the course is a graduate literacy methods class)—having all my experience and expertise in teaching high school and college literacy, primarily writing—and thus, I will be relying on their practitioner expertise (the students are mostly practicing elementary teachers) while performing the role myself of facilitator.

In my Summer I class, as well, one assignment required students to read a professional book on literacy, and share with the class. Part of our discussion revolved around professional books in education emphasizing classroom practice (over theory and philosophy) while being written by education personalities.

The credibility of these books are often grounded in the assumption these personalities are credible; issues of validity and reliability—and even thorough citation—are ignored or de-emphasized. So I cautioned them that professional books (and education personalities) are not to be viewed as scripture, not as sacred directives, but as opportunities to think along with these education personalities in order to develop and sharpen their own practitioner expertise.

My journey as an educator has included 18 years as a classroom high school English teacher followed by 16 years as a teacher educator, and concurrently, an education scholar and public intellectual.

I lived, then, nearly two decades of sitting in mandated workshops and presentations where education consultants spoke down to us practitioners while earning in a few hours what no practicing teacher earned. These consultants and speakers may have had some classroom experience, but it was vividly clear to us they had all eagerly jumped ship to talk to lowly practitioners because the hours and the pay were much better.

K-12 teachers tend to loath this traditional aspect of being a teacher—the torture of being treated unprofessionally and the waste of our precious time that we could all better use to do the stuff of teaching, planning and responding to student work.

The edu-guru market is an ugly beast that perpetuates the notion that K-12 teachers are not professional or experts themselves, that practice is somehow just a mechanical thing that can be imposed onto a passive and compliant workforce (let us hasten to add, a passive and compliant workforce in which 3 of 4 teachers are women with undergraduate and graduate degrees and years of experience).

So when I teach or provide in-service for teachers, I emphasize my own classroom experience above all else, and couch my scholarly expertise in that practice now edging toward 40 years.

The accountability era has ratcheted up this divide, in part perpetuated by authoritarian structures (prescriptive legislation and top-down managerial styles of administrators) and in part by the market.

This latter influence must not be ignored. Publishers depend heavily on the cult of personality to drive textbook and professional book sales as well as the related consultant appearances.

Too often, however, what is being mandated and sold proves to be mostly hokum beneath the shimmer and shine of well-formatted books and over-confident edu-gurus.

Paul Murphy’s Teachers Are Tired of Robert Marzano highlights nearly everything that is wrong with this cult of personality that de-professionalizes teachers while also blaming them for the outcomes driven by the practices they are mandated and coerced to implement.

Murphy stresses: “For years, teachers were asked (or, more often, told) to swallow a lot of crap. More and more of us are done eating it” (emphasis in original).

In a powerful and thorough interrogation of this dynamic, Benjamin Doxtdator challenges Doug Lemov and Dave Burgess:

Both Lemov and Burgess construct masculine, individualistic heroes. Champion teachers, according to Lemov, “routinely do what a thousand hand-wringing social programs have found impossible: close the achievement gap between rich and poor, transform students at risk of failure into achievers and believers, and rewrite the equation of opportunity.” For Burgess, Pirates are “entrepreneurs”, “daring, adventurous, and willing to set forth into uncharted territories with no guarantee of success. They reject the status quo and refuse to conform to any society that stifles creativity and independence.”

I have spent a great deal of my work as a scholar and public intellectual raising the same concerns about Angela Duckworth’s grit and Carol Dweck’s growth mindset.

Scholars of poverty and social class began lining up more than a decade ago to refute the popular but invalid training provided by Ruby Payne, who continues to profit greatly off the uncritical edu-guru poverty circuit funded mostly by tax dollars.

There are patterns to all this madness:

  • Practitioners are framed as or assumed to be unprofessional and inexpert.
  • Experts are, then, the consultants themselves, who are beyond reproach (criticize the work of Duckworth, or John Hattie, and expect to be accused of attacking the people themselves, to be shamed for the criticism).
  • Both educational research and teacher practices are trivialized as secondary to the gimmick (grit, teaching like a champion, visible learning, etc.) and the edu-guru who peddles the gimmick.
  • Teaching and learning are necessarily narrowed and over-simplified. Marzano and Hattie direct a laser focus on the impact of teachers; Duckworth and Dweck keep the accusatory eye on weaknesses and flaws in the children/students themselves.
  • Teacher and student voices are muted or entirely ignored.
  • Teachers are conditioned to behave in unprofessional ways that are used to justify treating them unprofessionally.
  • Divisions of labor and compensation for labor are disturbingly skewed so that practitioners are underpaid and under-appreciated while consultants and administrators (farthest from the day-to-day experiences of students) are overpaid and overvalued.

When I met with a colleague who designed the course I will be teaching for the first time this afternoon, she empathized with the abrupt change in course assignments and then helped me tremendously by noting that when she taught the course, she used elements of the National Writing Project (NWP) model for summer institutes.

I was co- and lead instructor of a writing project in South Carolina at the end of my high school teaching career just before entering higher education in 2002. Being a participant in and then facilitating for a NWP site were by far the greatest experiences for me as an educator and a professional.

Why? The sacred elements of these summer seminars were the professionalism of the teachers and the community of scholars that was fostered and developed.

One of the most important refrains of these communities was the call to check ourselves regularly against the allure of edu-gurus and gimmicks (we at first embraced the term “best practice” and then quickly felt it had become a mandate and not a healthy generalization for how any teacher works from a toolbox of practices with the needs of the learner guiding those fluid decisions).

K-12 practitioners remain trapped in a hellish contradiction created by the cult of personality driving edu-gurus and gimmicks: Teachers are simultaneously posed as the singular and most important factor in student learning (a verifiable lie) and then treated as incompetent technicians.

Teachers need to be relieved of edu-gurus and gimmicks; they deserve professional experiences that include the time, support, and conditions that are conducive to what is best for each student taking a seat in any of their classrooms.

Teachers must not be reduced to technocrats, must not be compelled to be martyrs and missionaries.

If we can resist the allure of celebrity and cashing in, we must ultimately acknowledge the humanity of teachers and their students, while admitting the ugly influences of sexism and consumerism that too often trump our stated goals of democracy and equity.

“If the book we’re reading doesn’t wake us up with a blow on the head, what are we reading it for?” (Franz Kafka)

There is a paradox to my formative years that I vividly recognize but cannot fully understand.

My parents weren’t well educated or prone to intellectualism, and they raised me in some truly toxic ideologies that stunted the human I have been trying to be ever since I recognized those ideologies as toxic.

But my dear parents also—and this remains baffling—allowed and even supported for me an intellectual freedom that completely contradicted everything else about my upbringing.

No book, magazine, film, music, or comedian was ever off limits, denied to me—or banned. In fact, my parents despite out modest working class budget eagerly bought me anything I wanted to read or listen to, including a subscription to Playboy and albums by George Carlin and Richard Pryor.

And because of this great fortune of my youth, I am compelled by all bold art—what some call adult or explicit, even profane—and concurrently, by radical, confrontational ideas. Along side the regrets I feel for much of my early life, this gift from my parents rises above everything else as something for which I could never repay them.

As a voracious reader and a would-be writer as I entered college, I fell in love with Franz Kafka, nearly a cliche for would-be writers, I suppose, but incredibly important for me none the less.

And this has remained a refrain for me since I first discovered Kafka: his January 1904 letter to Oskar Pollack:

I think we ought to read only the kind of books that wound and stab us. If the book we’re reading doesn’t wake us up with a blow on the head, what are we reading it for? So that it will make us happy, as you write? Good Lord, we would be happy precisely if we had no books, and the kind of books that make us happy are the kind we could write ourselves if we had to. But we need the books that affect us like a disaster, that grieve us deeply, like the death of someone we loved more than ourselves, like being banished into forests far from everyone, like a suicide. A book must be the axe for the frozen sea inside us. That is my belief.

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My home state, South Carolina, remains too much like the very worst of my early life—notably the coastal city Charleston.

Charleston has a rich but deeply scarred history of racism and economic inequity that remains in many ways today. Charleston is also notorious in contemporary times for the horrific shooting at the Emanuel AME church and a police officer killing Walter Scott.

Yet, like William Faulkner’s Emily, some despite that context persist in clinging to the corpse of race and class bigotry, blinded by James Baldwin’s “rigid refusal”—as in this case highlighting that the fear of books is the fear of ideas that is the fear of Truth:

Two books causing controversy in Charleston County are All American Boys by Jason Reynolds and Brendan Kiely, and The Hate U Give by Angie Thomas. They are on the summer reading list for Wando High School’s English I class.

In The Hate U Give, the main character’s best friend is unarmed, and shot and killed by police. In All American Boys, one of the main characters is brutalized by a police officer after a misunderstanding when the character is falsely accused of stealing. Both books address racism and police brutality which is making some local law enforcement officers upset.

President of the Fraternal Order of Police Tri-County Lodge #3, John Blackmon, says, “Whether it be through social media, whether it be through text message, whether it be phone calls, we’ve received an influx of tremendous outrage at the selections by this reading list.”

He says in just the past two days, he has received hundreds of messages from police and community members.

Blackmon says, “Freshmen, they’re at the age where their interactions with law enforcement have been very minimal. They’re not driving yet, they haven’t been stopped for speeding, they don’t have these type of interactions. This is putting in their minds, it’s almost an indoctrination of distrust of police and we’ve got to put a stop to that.”

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“In the summer of 1997, when I was eleven, I had an abnormal appetite for books,” recalls Carmen Maria Machado. Specifically, she fell in love with Lois Duncan—despite the problem Duncan’s genre created:

Horror novels had been banned in my family since I was seven, when an older kid on the bus let me borrow his copy of “Night of the Living Dummy,” and it gave me such terrible nightmares that I insisted on sleeping with the lights on for a week. So, when my mother picked me up from the library, I pleaded my case. Most of them had been written in the nineteen-seventies, I told her. (I had checked.) How scary could they be?

Machado’s story represents the journey of many writers, how falling in love with writers and books combined with an exhilarating freedom to read as one pleases leads to a life of becoming and being a writer.

To a life of unconventional ideas, a life adult, explicit, profane.

For Machado, Duncan appears to have been a doorway into unconventional ideas about gender:

Her prose is unfussy and clean. She centered her books on young women, and her writing considers themes that have come to obsess me as an adult: gendered violence, psychological manipulation, the vulnerability of outsiders. She writes about folie à deux and mass hysteria, doppelgängers, sociopathy, revenge. She portrays psychic powers and past-life regressions with a kind of realism; she recognized that even a supernatural evil must have a human heart.

In hindsight, Machado realizes:

After that, I re-read “Daughters of Eve,” which had seemed revolutionary when I was eleven. In college, I’d recounted the plot to a friend and started to wonder about its politics. But now it strikes me as a cautionary tale about the potential of radical ideology to empower or destroy, and about the circumstances under which it can take hold. Second-wave, to be sure, and imperfect, of course, but chilling and complicated and uncondescending to its audience. I realized that her books paved the path toward my adult love of novelists such as Shirley Jackson and Patricia Highsmith. Some of her plots still show up in my dreams.

What if Machado had continued to be blocked from horror novels, banned for being too frightening for a young girl or too radical in their ideologies?

Like Machado, I bumped against teachers discouraging me from reading comic books and outright barring me from choosing another science fiction book when we had novel choices for class.

Yet, comic books and science fiction are my Lois Duncan.

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“If you read this story out loud” becomes a parenthetical refrain in Machado’s “The Husband Stitch,” a story about telling stories (“I have always been a teller of stories,” reveals the narrator) and the horrifying messages in those stories about the fate of girls and women; for example:

The moral of that story, I think, is that being poor will kill you. Or perhaps the moral is that brides never fare well in stories, and one should avoid either being a bride, or being in a story. After all, stories can sense happiness and snuff it out like a candle.

Once you have read about Machado’s early love of Duncan, this story blossoms even from the tips of the many blossoms built into the narrator’s mysterious green ribbon and the interjected brief stories punctuating the main story.

Early, the story is about unconventional ideas, the sexuality of girls, the tension between being fully sexual and “good”:

The boy is not facing me. I see the muscles of his neck and upper back, how he fairly strains out of his button-down shirts. I run slick. It isn’t that I don’t have choices. I am beautiful. I have a pretty mouth. I have a breast that heaves out of my dresses in a way that seems innocent and perverse all at the same time. I am a good girl, from a good family. But he is a little craggy, in that way that men sometimes are, and I want.

It then becomes a story of awakenings, the inevitable demands of men on women, and the brutal consequences of the world for any, or every woman—like the narrator.

I think Machado’s story is brilliant and awesome, in the purest sense of the root “awe,” and I hesitate to dig deeper, share more because much of that awe is in the reading and the very careful unveiling, the lust and the terrifying.

But as a teacher and a teacher of English teachers, I bring this story here because it is the exact sort of story young people should read, must read, but because it is graphic in its depiction of young sexuality, I can hear my former students who now teach high school explain to me that they can’t teach this story.

It is the sort of fiction that is an “axe for the frozen sea inside us”; it is meant to stir our bodies, our souls, and our minds.

And like the novels challenged by police in Charleston, this story is frightening to the social order, the sort of things police, schools, and churches seek to maintain.

Adults with authority, if truth be known, are terrified of young people aroused in mind, body, and spirit.

In one story within the main story, the narrator concludes: “I don’t need to tell you the moral of this story. I think you already know what it is.”

And this is why fiction is frightening; it presents us with inconvenient truth. It isn’t so much that we don’t know it, but that it must not be uttered into reality.

As poet Adrienne Rich has confronted: “The study of silence has long engrossed me. The matrix of a poet’s work consists not only of what is there to be absorbed and worked on, but also of what is missing, desaparecido, rendered unspeakable, thus unthinkable” (p. 150).

Fiction is almost always terrifying, and it certainly is far more dangerous than fake news.

Fiction tells the inconvenient truth about the police.

Fiction tells the inconvenient truth about the dangers a man’s world pose for all women.

Banning books is banning ideas, the very ideas that liberate anyone to recreate the world in the name of justice and human dignity. There simply is no place for banning books among free people.

That, in fact, is yet another paradox: banning books is an unspeakable crime against human dignity.

What’s Wrong with Education as a Discipline?: Unpacking the Reading Wars (Again)

In one of the last class sessions of my education foundations course, a student I had taught in a first-year writing seminar the semester before posed a question while being nearly exasperated: To paraphrase, she wondered allowed why education had such a problem with how classroom practices often contradict what the research base shows is (for lack of a better term) best practice.

Since I have repeatedly addressed in my public and scholarly work Lou LaBrant’s masterful charge about the historical (and current) “considerable gap” between practice and research, I chose to help walk students through unpacking her question by asking them first who controlled the fields of medicine and law.

We tended to agree that doctors and lawyers mostly (although certainly not exclusively) had the greatest authority and autonomy in their fields.

By contrast, education in the U.S. is primarily public institutions at the K-12 and higher education levels, and thus, education as a discipline is significantly barricaded from education as a practice by legislation, bureaucracy, and a public discourse dominated by disciplines other than education—economics, psychology, and political science.

Embedded in that bureaucracy, we must also note, is the authority of administrators, a subset of eduction as a field that is in many ways disconnected from pedagogy, if not antagonistic to teacher autonomy.

Education as a discipline, then, suffers under the weight of being routinely declared a failure as well as an inadequate field while simultaneously being denied authority and autonomy in its practice, the very thing being used as evidence of its failure.

So, in 2018, we have yet another example of the on-going problem in the so-called publication of record on the field of education, Education Week: When It Comes to Public Education, the Nation Is Still at Risk.

Thomas Toch grounds his commentary is a praising and uncritical embracing of A Nation as Risk—although that report has been thoroughly discredited as a partisan hatchet job masquerading as research (see Gerald Holton here and here as well as Gerald Bracey).

Few things better represent all that is wrong with education as a discipline and profession than how A Nation at Risk (as a partisan political sham) came to drive policy by claiming “research” and “scientific” while being any but.

But the relentless bashing of education and then teacher education certainly did not stop with the rise of standards and high-stakes testing in the form of the accountability movement after Reagan; it was reinvigorated under W. Bush, and then Obama doubled down even further.

No Child Left Behind took its cue from A Nation at Risk, in fact.

This brings me to a recent Twitter discussion representing the reading wars debate that will just not die.

Let’s join that sort of in media res with Daniel Willingham refuting some claims made by Carol Black quoting from my blog post:

This Twitter exchange holds almost all of the elements I am confronting in this post: the disciplinary arrogance of economics, psychology, and political science (disciplines that routinely impose themselves in education as if the field dose not exist); the veneer provided by claiming “research” and “scientific” among hard-core phonics advocates; and the irony of the “research” crowd embracing partisan reports that fail as credible research.

First, let me clarify that I have taken a very clear stand against how the media embrace scholars from outside the fields of education and literacy when they arrogantly impose on those fields—for example, Willingham and Mark Seidenberg.

Next, it is illustrative that Willingham’s rebuttal of my criticism, in fact, provides proof of my point: His NYT’s op-ed is both a sweeping discrediting of teachers (since teacher educators are teachers) and, as Toch does, Willingham offers an uncritical embracing of the National Reading Panel (NRP), a partisan hack job powerfully refuted by Joanne Yatvin.

The NRP report serves a different purpose than it intended since it represents how partisan politics combined with unchallenged claims of “research” and “scientific” provide cover for everything that is wrong with the discipline of education being blocked from having authority and autonomy in the practice of education, specifically how reading is taught in US public schools.

If you skim through the discussion after I responded to Willingham, you also witness the problems with the cult of phonics, how advocates for phonics simultaneously beat the drum for “research” and “scientific” while refusing to engage with the field of literacy and reading in an honest way.

For example, whole language and balanced literacy are misrepresented and then those misrepresentations are attacked. Both whole language and balanced literacy are evidence-based approaches to teaching reading that include phonics instruction (just as writing pedagogy includes grammar instruction); however, phonics advocates typically frame them as hostile to phonics as well as not supported by “research” (something dishonestly posed by the NRP).

In other words, this Twitter debate exposes that far too often educational research and practice are highjacked for partisan political and ideological concerns as well as bureaucratic and market ones (phonics advocacy is significantly driven by the textbook and testing industries, for example).

If we return to my student’s question that is echoes in this Twitter debate grounded in Willingham’s sweeping dismissal of teacher education, we are faced with a real dilemma.

LaBrant’s charge that a “considerable gap” exists between evidence and practice exists today, but not in the way or for the reasons stated and implied by Willingham.

Literacy as a sub-discipline of education is not bereft of research, and it is not populated by incompetent professionals who do not know or teach that research base.

Education and literacy scholars are often women, and at its core, the fields suffer from some of the lingering sexism that hovers just beneath why economists, psychologists, and political scientists feel compelled to speak over education as a discipline.

Concurrent with that uncomfortable fact, however, is a damning dynamic captured in Applebee and Langer’s analysis of writing instruction in formal schooling; they concluded something that also explains virtually every problem found in why so many are compelled to declare education a failure: Applebee and Langer discovered that although teachers today know more than ever about best practice in teaching writing (and despite the field of composition being more robust than ever), teachers overwhelmingly disclosed that they are not able to implement that knowledge because of the mandates anchored in standards and high-stakes testing.

As I argued in the Twitter debate, whether or not teacher educators of literacy are teaching as Willingham wants, it doesn’t matter because when teachers enter the field they are being mandated to teach to the tests that measure standards. Teachers in the US have very little to no professional autonomy.

So I want to circle back to the more narrow issue of balanced literacy, a concept rejected by phonics advocates.

At its core, balanced literacy is about having highly expert teachers of literacy who then have the professional autonomy to individualize instruction for all students so that every student excels in literacy.

Intensive phonics programs and textbooks as well as isolated phonics testing (such as DIBELS) are the antithesis of that expertise and professional autonomy—just as the standards and high-stakes testing machine is.

I am not at all dissuaded from my not-so-modest proposal that all disciplines deserve their own autonomy and professionalism, that education has been denied that autonomy and professionalism because of sexism and the corrosive influence of bureaucracy and partisan politics.

This recent Twitter debate captures all that in a way that is relatively concise with many players inadvertently proving my points.

But, alas, I am not hopeful of having made any progress because, you know, I am but a lowly education scholar and practitioner, one mired even lower in the field of literacy.

Sigh.

For Further Consideration

Please note that, like economics, psychology has much to do to keep its own house in order; maybe slamming other disciplines serves as distraction:

Attack on “Balanced Literacy” Is Attack on Professional Teachers, Research

Progressivism and Whole Language: A Reader

My Next Book Project: The Psychology of Fixing the Economy through Better Public Policy

 

What Does This Poem Mean?: On the Politics of Core Knowledge and Reading Instruction

While I am skeptical of nostalgia, the mostly vapid good-old-days approach to anything, I want to return to my high school teaching years, mostly pre-Internet and smart phone years throughout the 1980s and 1990s.

One of the best parts of teaching English was forming bonds with students over popular music. Gradually, in fact, my entire poetry unit was grounded in the music of R.E.M., the alternative group based in Athens, GA.

R.E.M. achieved immediate critical success with their first album, Murmur, and then were college rock stars throughout the 1980s, with popular stardom coming more than a decade after they formed.

What made R.E.M. particularly fascinating for my students and me was that they typically did not release the lyrics for their earliest albums, and thus, we would spend hours listening and trying to figure out just what Michael Stipe was saying. In fact, some early jabs at R.E.M. referred to Murmur as Mumbles since Stipe had a signature way of being terribly unclear.

I can still recall wrestling with “You Are the Everything”—students puzzled by “eviscerate” and all of us thrown by “With your teeth in your mouth.”

The beauty of all this for me as a teacher of poetry was that we had to work diligently first on the what, the literal, of the lyrics before we could begin trying to tackle meaning.

Too often, I found, students felt compelled (a really flawed lesson learning in school) to jump immediately to “this song/poem means” without taking any care to read the poem literally first.

Ultimately, investigating poetry was yet more efforts at learning to read, a behavior that is always in a state of emerging (despite the technocratic view that we can reach proficiency).

These memories came to me when I read Carol Black’s excellent Twitter thread:

Black carefully and powerfully unpacks and discredits the E.D. Hirsch Core Knowledge argument about reading that is compelling to those so-called experts outside of literacy and especially to the media, politicians, and textbook publishers.

As Black details, the argument that some core or essential knowledge exists in an objective apolitical way falls apart once you unpack how facts are presented and, more importantly, who determines what knowledge matters.

A disturbing example of Black’s critique immediately surfaced, also on Twitter:

This example of whitewashing slavery further exposes that no knowledge is value neutral and that the details of knowledge are far less important than confronting the authority behind what knowledge counts as fact or true.

So let me return to my students and me trying to decipher Stipe’s mumbling so that we could start to imagine what those wonderful songs meant.

The essential flaw of Core Knowledge arguments is that it promotes the passive acquisition of knowledge (what Paulo Freire criticized as the “banking concept” of teaching and learning) instead of the interrogation of knowledge, the domain of critical literacy.

Yes, we listened to the songs over and over so that we could as a community create the text, and we also scoured the music press for any and everything we could find from the band members about those lyrics, especially anything Stipe might reveal.

And we also built knowledge about the band and Stipe himself to provide context for those interpretations. Once Peter Buck said his favorite line from Monster was “Oh, my kiss breath turpentine,” explaining that it didn’t mean anything, but sounded great.

In other words, lyrics, as Stipe also explained at some point, were a way for Stipe’s voice to be another instrument in the song, not necessarily always about coherent meaning in the traditional use of text.

We were not acquiring knowledge, but interrogating an audio text in an effort to discover and uncover meaning, even as that meaning was tentative.

Recently, Bertis Downs, long-time lawyer for R.E.M., posted “Photograph” to social media, where I listened again and read along to the lyrics:

Always a favorite song of mine, including the beautiful accompaniment of Natalie Merchant, I was struck this time by the lines: “Was she willing when she sat/And posed a pretty photograph.” The “willing” speaks to the #MeToo era in a way I had not noticed many years ago.

As well, this song reminded me of Margaret Atwood’s “This Is a Photograph of Me,” which I taught for many years in A.P. Literature.

As an entry point to think deeply about consent, the song has new meaning, a meaning that works beyond the text and resonates because of a changing time and new social awareness.

All text meaning is political, communal, and tentative—not a fixed or objective truth.

And then, Atwood’s poem always posed tremendous challenges for students. In short, the ambiguity of the poem was an ideal way to help students learn to ask questions as a pursuit of meaning, instead of looking for the meaning.

Other than being in lines and stanzas, the poem achieves its poetic form without many of the traditional elements students expect (rhyme, for example). Further, the poem’s second section in parenthesis asks readers to consider the implications of punctuation as that contributes to meaning.

“(The photograph was taken/ the day after I drowned” opens that section and immediately challenges the reader with the literal problem since the photograph appears to be of the lake: “I am in the lake, in the center/ of the picture, just under the surface.”

Moving from R.E.M.’s song to Atwood’s poem and then, for example, adding Stevie Smith’s “Not Waving but Drowning” builds for students a body of problematic texts that warrants investigation, and not simple knowledge acquisition.

These three texts certainly are better read when the reader is more knowledgeable, but let’s not misread “knowledgeable.”

To be well read, in fact, is having had many experiences interrogating text and knowledge which is also the process of acquiring knowledge.

The more R.E.M. I listened to, the better I read those songs. The more Atwood I read, the more I understood Atwood (her word play, her misdirection).

What does this poem mean?—this becomes a journey and not a destination, an interrogation, not a proclamation.

Black’s dismantling the Core Knowledge propaganda about learning to read, then, pulls back the curtain on how Core Knowledge advocates are themselves serving an unspoken politics by taking on a faux veneer of apolitical essential knowledge.

Unintended I am sure, Atwood’s poem itself speaks to this as well:

the effect of water
on light is a distortion

but if you look long enough,
eventually
you will be able to see me.)

Let us invite our students to “look long enough,” beyond the “distortion,” so that they will “be able to see.”

Education’s Fatal Flaw: “[T]he considerable gap”

In my upper-level writing and research course, Scholarly Reading and Writing in Education, students have been practicing critical discourse analysis of how media cover selected issues in education in order to compare that coverage to the research base on that topic.

They have recently submitted initial drafts of the major scholarly essay and are now drafting a public commentary drawn from the same analysis. One student in last evening’s seminar approached me with a question.

She was very concerned that her topic seemed to show a distinct disconnect between education policy and the research base, wondering if that was unique to her topic, and why that failure existed.

Her question came during the workshop time after we had read and discussed a recent public commentary of mine on school safety and the threat of gun violence as a model for their commentaries. I noted that her observation was accurate, and that it was not simply her topic, but common across all of public education—as I noted in my commentary that challenges popular school safety measures not supported by research

Coincidentally, I came across the next morning a Twitter thread about the broader failure in education to embrace progressivism:

While progressivism in education (often linked directly to John Dewey) has been routinely blamed for causing educational failure, as Alfie Kohn has addressed, the reality is that education has failed progressivism:

The rarity of this approach, while discouraging to some of us, is also rather significant with respect to the larger debate about education. If progressive schooling is actually quite uncommon, then it’s hard to blame our problems (real or alleged) on this model. Indeed, the facts have the effect of turning the argument on its head: If students aren’t learning effectively, it may be because of the persistence of traditional beliefs and practices in our nation’s schools.

Kohn’s analysis is a mere decade old, and if anything, his observations have intensified as the U.S. continues to double-down on traditional and technocratic practices such as standards and high-stakes testing.

However, if we look back to 1942, Lou LaBrant exposed the exact same dynamic grounded in a public outcry over low literacy among men enlisted in the military:

Within the past ten years we have made great strides in the teaching of purposeful reading, reading for understanding (the kind of reading, incidentally, which the army and navy want). Nevertheless, we hear many persons saying that the present group of near-illiterates are results of “new methods,” “progressive schools,” or any deviation from the old mechanical procedures. They say we must return to drill and formal reciting from a text book. (p. 240)

However, LaBrant completely discredits the blame:

1. Not many men in the army now have been taught by these newer methods. Those few come for the most part from private or highly privileged schools, are among those who have completed high school or college, and have no difficulty with reading.

2. While so-called “progressive schools may have their limitations, and certainly do allow their pupils to progress at varied rates, above the second grade their pupils consistently show superior ability in reading. Indeed, the most eager critics have complained that these children read everything they can find, and consequently do not concentrate on a few facts. Abundant data now testify to the superior results of purposeful, individualized reading programs.

3. The reading skills required by the military leaders are relatively simple, and cause no problem for normal persons who have remained in school until they are fourteen or fifteen. Unfortunately the large group of non-readers are drop-outs, who have not completed elementary school, come from poorly taught and poorly equipped schools, and actually represent the most conservative and backward teaching in the United States. (pp. 240-241)

Just 5 years later, LaBrant penned what would become a refrain of her six-plus decades as an educator: “A brief consideration will indicate reasons for the considerable gap between the research currently available and the utilization of that research in school programs and methods” (p. 87).

“[T]he considerable gap” between policy/ practice and research has, then, defined public education throughout the twentieth and into the twenty-first centuries.

Again, as I confront about fortifying schools against gun violence and the research base on those so-called safety measures, practices such as grade retention and even corporal punishment [1] remain policy all across the U.S. despite decades of evidence overwhelmingly rejecting their use. Grade retention, for example, has been formally refuted by the National Council of Teachers of English (NCTE), yet states continue to adopt grade retention based on high-stakes tests for third graders.

As LaBrant challenged decades ago, literacy today is failing students because policy remains anchored to discredited practices and ideologies such as the “word gap,” reading programs, leveled texts, isolated phonics and grammar instruction, and test-prep.

Possibly one of the most troubling examples of this phenomenon is the relentless and bi-partisan obsession with charter schools, especially the abusive practices found in so-called “no excuses” charters. As this review details,

A report, Charter Schools and the Achievement Gap, finds that, though charter schools on average perform no better than traditional public schools, urban “no-excuses” charter schools—which often use intensive discipline to enforce order—demonstrate promising results. It recommends that these schools and their practices be widely replicated within and outside of the charter school sector. We find three major flaws with this conclusion.

This endorsement of “no excuses” charter schools, again, simply ignores the broader research base that cautions against charter schools broadly and “no excuses” practices more specifically.

So, as I answered my student’s insightful question, I noted a few important ways to understand “the considerable gap” between policy/practice and research.

First, educators—unlike doctors and lawyers, for example—have never controlled the field of education. Public education has always been hostage to partisan politics and mind-numbing bureaucracy.

Let me caution here that I am not making a narrow Libertarian swipe at “government” schooling—since we are government—but acknowledging that just as education has failed progressive and critical theory and practice, public institutions have mostly failed the promise of democratic government because of partisan politics and bureaucracy.

Next, and related, the evidence vacuum that exists in the dynamic between political leaders and the public, again, can be witnessed in the school safety debate. Politicians both speak to and perpetuate public misconceptions about fortifying school—the public’s irrational trust in armed police on campuses, surveillance cameras, and metal detectors (all of which have been shown to make schools more dangerous, not safer).

But that same evidence vacuum occurs throughout the adoption and implementation of education policy.

LaBrant’s 1947 unmasking of “the considerable gap” ends with her imploring English teachers and NCTE:

This is not the time for the teacher of any language to follow the line of least resistance, to teach without the fullest possible knowledge of the implications of his medium. Before we, either as individuals or as a Council, experiment with methods of doing specific things or block out a curriculum, let us spend some time with the best scholars in the various fields of language study to discover what they know, what they believe uncertain and in need of study. Let us go to the best sources, and study the answers thoughtfully. (p. 94)

As teachers strike across the U.S. in 2018, let’s us carry LaBrant’s message forward because the only hope that exists for our schools and the students they serve is to close the gap by allowing teachers as professionals to practice our field guided by the evidence too long ignored by the political bureaucracy that has defined public education for more than a century.

[1] The list of ideologies and practices that represent “the considerable gap” is far too long to include in the discussion above, but here are many of the key ones worth recognizing: “grit,” growth mindset, merit pay, VAM, standards, and high-stakes testing. Please refer to the Categories in the right menu for posts related to each of these.