Student Agency, Authority, and Credibility as Writers

Each semester I teach, I become even more convinced that teaching writing is a journey, not a destination. And this semester has once again pushed me in that direction.

While it was just the second time I have taught the new upper-level writing/research course now part of our general education requirements (GER), it was in my 100-level GER course that struck me hardest, notably when a senior student sent the following message with a revised submission of the course major cited essay:

Attached is an updated copy. I don’t know if I have already said this, but thank you for being so helpful in all of these drafts! Also please let me know if it is going in the right direction or if I need to consider larger changes as opposed to these smaller edits.

This was the fifth submission of the essay, and the student has also met with me to conference about needed revisions.

What stands out here is the not-so-subtle message I have been receiving from this student and others—the “smaller edits” comment. Another student, exasperated, came very close to stating directly that I am being arbitrary and nit-picky.

My 100-level students are perfect examples of the problems associated with how a culture of grades degrades learning—and especially inhibits students from writing with agency, authority, and credibility.

Often, I am the first—and only—teacher who holds students accountable for foundational obligations related to formatting submissions and applying essential aspects of citation and scholarship.

Students have either had points deducted for formatting and citation or have simply been told they have “mistakes,” but that these are mere surface elements and thus not really important. Here, I think, is the seed of the student quoted above seeing my feedback as mostly addressing “smaller edits” even though my feedback was, in fact, substantive.

First, teaching any student to write, for me, is grounded in fostering some important foundational concepts about them as student-writers and developing scholars—how to represent themselves as purposeful writers and thinkers while establishing their authority and credibility.

Purposefulness is a difficult transition for students who have mostly been inculcated into a culture of rules about language and writing.

For example, I want students to set aside seeing their work as either correct or mistakes so that they focus on revision and editing their work—not merely correcting what I mark.

Instead of thinking “fragments are mistakes writers must avoid,” students are encouraged to think “what sentence formation am I using and what purposes do these purposeful sentence-level decisions serve in conveying meaning to my readers.” (The problem in student writing is not that fragments are “wrong,” but whether or not the student is aware of using a fragment and then if that use has effective purpose.)

Purposefulness in sentence and paragraph formation as well as choosing either to conform to conventions of grammar and mechanics or not is an essential element in establishing authority and credibility for student-writers and developing scholars.

This is key, I think, because the culture of grades creates a false dynamic in which some aspects of student performances of learning (writing) are deemed trivial and thus the holistic nature of demonstrating learning, or of expression, is corrupted for an analytic view of student behavior—the separate parts matter more than the whole while simultaneously some parts are rendered irrelevant since they simply cost the student a few points.

My approach to minimum requirements while requiring and allowing students to revise their work guided by feedback and conferencing seeks to honor the holistic nature of writers establishing their authority and credibility.

Especially in my 100-level courses and first-year writing, here is the structure I implement that helps students (ideally) move away from seeing some of their revision and editing being about “smaller edits” and toward viewing their work as a student-writer and developing scholar as a coherent whole:

  • Document formatting matters. I both teach and then require students to submit Word documents that show purposefulness and control over fonts (consistent throughout the document, including the header/footer) and font size, word processor formatting (margins, justification, hanging indents, spacing, page breaks, etc.), and file management (naming files with purpose and labeling subsequent drafts during the process). I explain to students that while these elements of submitting writing may seem “small” (and even trivial), these formatting elements establish in the reader’s (professor’s) mind an initial message about purposefulness and control—thus the student-writer’s authority and credibility.
  • Citation matters. I both teach and then require students to submit cited writing that meets basic expectations for citation format. Since I am in education, students in my courses primarily use APA so I focus on header format, title page, reference page, parenthetical citation, and subheads. These mechanical elements of citation, combined with document formatting above, are strictly addressed in the first submission, often meaning I do not accept the first or first few attempts made by students to submit work. I explain that these are all very easy to do, and failing to address these mechanical elements suggests, again, a lack of purpose, authority, and credibility. (Students are provided direct instruction in class and samples with notes along with being required or encouraged to conference with me.)
  • Sources matter. Despite detailed university guidelines about teaching first-year writing students how to search for high-quality sources, my students routinely demonstrate that they continue not to understand source quality (peer-reviewed journal articles tend to be more highly regarded in academia than books, for example; print sources, more than online; newer, more than older, etc.). Students also seem to lack the skills to search for those sources, relying on Google Scholar instead of searching through the library system that allows them to target searches. I work hard to scaffold experiences for students so that source quality and variety are addressed before they begin their writing; this still doesn’t work across the board, however. Students, for example, in the 100-level course mentioned above do a group project requiring high-quality sources, which can serve as a foundation for their individual essays. Yet, students will submit their essays without any of those sources and only online newspapers and magazines cited.
  • Using what seems “small” to foster substantive revision. When I focus on titles, subheads, and the need to synthesize sources, these tend to be elements of revision that students such as the one quoted above views as “smaller edits.” Yet, titles and subheads are about whether or not the student understands the primary and supporting focus of the essay (titles) as well as demonstrating a purposeful and compelling structure and organizational pattern (subheads) to the discussion or argument. Probably even more stressful for students is my emphasis on synthesizing sources. Typically, students paraphrase and quote extensively from one source at a time, plowing through their list of sources without regard for patterns found in the research or creating any sort of hierarchy for the importance of ideas related to their topic. Here, I am fostering disciplinary awareness by exposing them to the disciplinary differences between writing literary analysis and using MLA in high school and then transitioning to a social science course in college.
  • Openings and closings matter. Students have mechanical and not very compelling approaches to introductions (and clunky thesis sentences) and conclusions. They are drawn to making grand overstatements without offering any evidence for those claims—as The Onion brilliantly demonstrated: “For as far back as historians can go, summer vacations have been celebrated by people everywhere as a time for rest and relaxation.” And they mostly feel compelled to open with vague statements that they then repeat in a final paragraph. Therefore, I work on students creating multi-paragraph openings and closings that depend on framing (establishing something concrete, such as a narrative, in the opening that the student returns to in the end) and that introduce and then extend a focus (broader and more complex than a clunky thesis statement, allowing questions as well as allowing the essays to work toward an idea or call to action).

In 1957, Lou LaBrant wrote:

But I hope that I have hit upon enough of the important factors which go into writing to make it clear that it is not taught by considering the subject-predicate nature of modern English, the rules for punctuation, the parts of speech, or the placement of modifiers. Nor is writing taught when the formal outline with its A’s and B’s, its l’s, 2’s, and 3’s has been considered….Writing remains the final, most difficult of the language arts….Knowing about writing and its parts does not bring it about, just as owning a blueprint does not give you a house.

I have been guided by this metaphor—building a house versus the blueprint—for many years, and I have also extended that into how houses are built from the rough work leading to the finishing work.

Above, I have made a case that the rough work (“smaller edits” often to students) and the finishing work (“larger changes,” or the substance, I think, to students) are impossible to separate from each other because it is a holistic venture to craft an essay from a blank page.


Related

Shifting Disciplinary Gears as Student Writers

Helping Students Navigate Disciplinary Writing: The Quote Problem

Minus 5: How a Culture of Grades Degrades Learning

LaBrant, L. (1957). Writing is more than structureEnglish Journal, 46(5), 252–256, 293.

Thomas, P.L. (2011, September). Revisiting LaBrant’s “Writing is more than structure” (English Journal, May 1957). English Journal, 101(1), 103-104.

Thomas, P.L. (2000, January). Blueprints or houses?—Looking back at Lou LaBrant and the writing debate. English Journal, 89(3), pp. 85-89.

Thomas, P.L. (2019). Teaching writing as journey, not destination: Essays exploring what “teaching writing” means. Charlotte, NC: Information Age Publishing.

Minus 5: How a Culture of Grades Degrades Learning

About midway through my first 18 years in education as a high school English teacher, I had mostly de-graded and de-tested my courses except, of course, for having to comply with mandates such as midterm/final exams and course grades.

At some point, my students and I began to openly parody grade culture in a sort of wink-wink-nod-nod way that included my saying “Minus 5!” any time a student offered an incorrect answer during a class discussion.

We all smiled and laughed.

As I approach the same amount of time in the second wave of my career as an educator, now a university professor at a selective college, I continue to use that skit, adding at times a “Plus 10!” with exuberance when someone offers something really thoughtful.

My college students are hyper-students, having been very successful in school for many years while receiving as well as expecting high grades because of the student-skills they have developed.

Despite my careful and detailed explanations upfront that I do not grade and do not give tests, these college students struggle, some times mightily, in a de-graded classroom. Once, for example, a student emailed me about how to make up the “minus 5” I had taken away in the class discussion.

This semester in my educational foundations course and an upper-level writing/research course, many of the greatest flaws with grading culture have sprung up once again.

Even as we approach the end of the semester, I have had several students email me asking for extensions on submitting their major essay. I have to carefully reply that the concept of an extension isn’t relevant in a course that doesn’t grade and is grounded in the requirement that all assignments must be completed fully (and ideally on time) and resubmitted in a final portfolio.

In all of my courses, essays must also be submitted in multiple drafts or I cap the final course grade.

I explain repeatedly to my students that we are here to learn and that if I focus on artifacts of their learning while requiring that all work be completed fully, I have no option other than accepting late work, and they have no real option except to submit work late if they cannot meet deadlines.

Yet, my college students often cannot fathom any other system except the culture of grading that they have navigated quite well for many years.

Broadly, as an educator, I am daily disturbed by witnessing my students trapped in a grade mentality and not a learning mentality. As I have explored many times, the rewards/punishments elements of grading discourages risk and even effort in students and thus weakens the learning process that often requires a series of flawed efforts by students combined with mentoring from a teacher who requires and encourages informed revised efforts.

School at all levels, however, is just a statistical wrestling match between students and grade culture in which some students persist, hoping to excel, and many students simply try to survive in order to find some sort of freedom at the end.

Over the past couple of weeks, my educational foundations students have been submitting their major essay. I purposefully scaffold this assignment by having students present in groups earlier in the semester; those group presentations include focusing on students finding high-quality research for their topics and (for many) learning some basics of APA citation (the preferred style sheet in education).

I refuse to provide groups feedback on the group presentations until the group submits a correct and adequate references list for their sources used. This strategy lays the groundwork for each member having a start on sources for their individual essay and for my students to become somewhat acclimated to my minimum requirements approach to assignments (contrasted with grading).

Major cited essays are powerful windows into how a culture of grades degrades learning.

Students are provided a sample APA cited essay with notes and several checklists for preparing and revising an essay using APA citation; much of this is meticulously covered in class as well.

I also schedule some workshop time in class to help students with both trivial and significant elements of preparing a document in Word (headers can be a nightmare using APA). Then, as the first submission due date approaches, I stress that I will not provide feedback unless students submit a full first draft that includes some fundamental elements of formatting and citation [1].

However, as I experience every semester, several students submitted essays that were unacceptable (let me emphasize here, that when I reject these essays, the only recourse is that students address this problem by submitting a minimally acceptable draft as soon as possible, and I will meet with them if they are unsure how to do that despite the ample support I have already provided).

This included essays submitted without adequate sources (I stress the need to use peer-reviewed journal articles as the foundation of their sources, but also encourage a variety of sources), without a references list on the document, with a reference list but no citations in the essay, with some jumbled hybrid of MLA (usually the references list labeled “Works Cited” and then the bibliographies a wild Frankenstein’s monster of formatting), or as a document clearly in an early stage of brainstorming—what they would consider drafting—such as huge gaps between paragraphs, different colored fonts, and their own comments to themselves scattered throughout.

I have this happen despite stressing repeatedly they should submit the first draft of the essay as if they can never revise.

These dynamics in a degraded class that emphasizes authentic artifacts of learning and provides students ample opportunities to revise their work with my feedback in the form of comments on their work and conferences highlight that many students are unable to break free from a culture of grading, even when provided the opportunity.

Most students simply have their grades lowered when they fail to format and cite properly; that process tells them that these things really do not matter.

Yet, in my work as a scholar, I know that part of the authority a writer gains if from the trivial (formatting documents) and the essential (finding, understanding, and incorporating high-quality sources).

A culture of grading allows both students and teachers to be lazy about the things we claim to care about the most, such as authentic learning that translates into the so-called real world.

Once again, I have watched as several students have become angry at me and deeply frustrated by a process that is both requiring and supporting them to learn, in some cases for the first time, aspects of being a scholar that benefits them across their work as students and then in their lives after that.

What some are framing as “mean,” however, is a tenacity on my part that often results in students coming to understand and then apply the very things we sought to learn. But that process is unnecessarily painful because of the culture of grades that, in fact, asks less of students and teachers.

The culture of grades remains incredibly powerful in formal schooling, and as I discover time and time again, it makes the work of teaching and learning nearly impossible.

In the wake of this essay assignment and many of my formerly happy students struggling, my “Minus 5” rings a bit hollow these days among the tense faces of really bright young people more concerned about their grades than anything class has to offer.


[1] From my checklist, for example:

Checklist for Revising Cited Essay

Format in APA

[ ] Entire Word document (including header) is in Times New Roman, 12 pt. font, and double-spaced

[ ] Cover page has “Different First Page” checked, and running head formatted as follows:

Running head: RUNNING HEAD IN ALL CAPS                                                                1

[ ] Page 2 and beyond has running head only, as in:

RUNNING HEAD IN ALL CAPS                                                                                        2

[ ] Except for new paragraphs, do NOT format page breaks (cover page to page 2 and final page to references) with returns and do NOT format hanging indents or block quotes with return>tab.

[ ] Include a few subheads to organize the essay, but a subhead should be several paragraphs (not one), and avoid “Conclusion” as your final subhead (be interesting and specific).

Style and Citation in APA

[ ] Do not announce sources (avoid referring to the author[s] and titles of your sources when citing research) in your discussion.

[ ] Prefer synthesis of multiple sources and discussing the conclusions (patterns) from those sources—and thus, avoid quoting and simply cataloging one source at a time.

[ ] Take care with proper APA parenthetic citation; note the use of commas, page numbers with quotes only, and the placement of periods, for example:

Ironically, of course, we almost never hear a word of protest about the abundant misinformation found in our U. S. history textbooks (Loewen, 1996; Zinn, 1995), primarily because the misinformation better supports the meritocracy myth our schools are obligated to promote for the good of the society.

While Greene (1978) argues that “democracy is and has been an open possibility, not an actuality”—thus requiring “the kinds of action [by teachers] that make a difference in the public space” (pp. 58, 59)—the reality of school’s focus on socialization is that we are committed to capitalism above all else, even at the expense of democracy (Engel, 2000).

Recent scholarship on this concern for diversity and the achievement gap among races and socioeconomic groups has shown that when we attempt institutional approaches to “critical issues,” the result is corrupted by the system itself, resulting in a widespread acceptance of the work of Ruby Payne (1996), work that has no research supporting the “framework” and work that reinforces the assumptions (deficit thinking) about race and diversity that are common in our society (Bomer, Dworin, May, & Semingson, 2008; Bomer, Dworin, May, & Semingson, 2009; Dudley-Marling, 2007; Gorski, 2006a; Gorski, 2006b; Gorski, 2008; Thomas, 2009).

[ ] Parenthetical citation of paraphrased or synthesized sources require including the author(s) last name and publication year the FIRST time in each new paragraph, but multiple uses after that include ONLY the last name. Do not have several in-text citations over multiple paragraphs if all of the citations are paraphrasing. For example:

Greene (1978) is exploring the central dilemma offered by John Dewey, a dilemma that has been misunderstood at best and ignored at worst: Dewey “knew that optimism, demands for conformity, and ‘riotous glorification of things “as they are”’ discouraged critical thought” (p. 62). In U.S. society, and thus schools, critical challenges are popularly viewed as outright rejections. Within critical pedagogy, the challenges to assumptions are seen as fruitful, an essential part of process toward emancipatory practice, toward the ideal of democracy as “an open possibility” (Greene, p. 58).

[ ] Do NOT include hyperlinks in bibliographies in your references lists from your library searches (ebsco, galegroup links) or from jstor for hard-copy sources (includes page numbers).

Delaying Grades, Increasing Feedback: Adventures from the Real-World Classroom

Each time there is a flurry of comments about grades on social media, I am compelled to advocate for de-grading and de-testing the classroom. Also, each time I make my case, many people offer lukewarm support wrapped in a great deal of skepticism about those practices in real-world classrooms.

My career as an educator has had two nearly equal spans of about two decades each—first as a high school English teacher in a rural public school, and second as a current professor in a selective university where I teach in the education department but also have two first-year writing seminars each fall.

I both learned and practiced over my first decade of teaching the need to de-grade and de-test my classes, notably to support effective writing instruction. So I must stress here that my endorsing de-grading, or at least delaying grading, is grounded in my work as a teacher in a very traditional high school setting where I still had to issue interim reports and quarterly, mid-term, and final grades.

And my entire career, of course, has been working with students who expect grades, students who are often disoriented by and even disturbed by my atypical approaches to grades and assessment.

Virtually all of us who teach, regardless of level or type of school, will have to issue grades at some point. Even as an avid proponent of no grades and no tests, I must assign course grades, and I must fulfill obligations for assessments, such as midterm and final exams.

In our real-world classrooms, then, I am practicing and calling for delaying grades, while also increasing significantly feedback on authentic assessments that require and allow students to revisit their work as a journey to greater understanding and deeper learning.

And, yes, my practices and arguments are primarily grounded in my commitment to literacy instruction, mostly writing, and my educational philosophy, critical pedagogy, as well as my skepticism about knowledge acquisition (I embrace content as a means, not an ends, of teaching).

While I am no fan of compromise, I do have a deeply pragmatic streak; therefore, I try to be very clear that I am not advocating some idealistic set of practices from a rarified teaching situation that isn’t applicable to other educators.

Here I want to outline what real-world practices I have for many years implemented and currently implement that merge well, I think, with my belief in de-grading and de-testing with entrenched and often non-negotiable expectations of teaching.

Establish minimum requirements of participation and artifact production as mandatory for course/class credit. My syllabus and daily schedules clearly state that students must complete assignments and submit all artifacts both throughout the course/class and then as a final portfolio. Those minimum requirements I establish are non-negotiable and students are not allowed to pick and choose which to fulfill. In other words, I do not average grades and I do record an F for any student who fails to complete and submit all of the minimum requirements. (See minimum requirements detailed in my first-year writing syllabus.)

Delay grading of assignments and eliminate high-stakes of grades and rubrics. Once participation is required (for example, students must draft, submit essays, meet for conferences, and submit rewrites) for course/class credit (a final grade), teachers are given more space to offer feedback without grading—thus delaying a grade until students have had opportunities to take risks while practicing new learning. One example from teaching Advanced Placement Literature helps illustrate how even numerical feedback can work in this context. I shared with students A.P. Literature rubrics for previous test writing prompts, and then I did assign practice essay responses the appropriate 9-point scale grade; however, students knew these were recorded but did not factor into their course grade (other than needing to be completed). The 9-scale number was feedback for their understanding of where their work stood and how we could improve for the actual test in the spring. Overwhelmingly, my students participated fully in the practice sessions (they had an authentic goal of doing well on the A.P. test), and noted that other teachers translating these A.P. scale scores to class grades inhibited their work and attitudes about the assignments. I learned in these classes that my rejecting grades and rubrics could be translated into more authentic uses of grades and rubrics as feedback and tools for learning by simply eliminating the stakes with those grades and rubrics.

Invite students into conversations about grades. The best concession I have made to de-grading my classes is to acknowledge that for students grades are a powerful reality. Now I invite students to initiate conferences with me about their current grade in my classes at any point and as often as they need throughout a course. While I give no grades on assignments, even as they revise, I will discuss with students what grade an assignment would deserve, and why, and what their grade status is in a course at any point along the way. The caveat, always, is that we do this in conversation (not by email or in writing) and that we recognize these estimations could change significantly as the course and their revisions progress.

Negotiate grade scales with required grade submissions in your school. My de-grading and de-testing practices have always been complicated by interim reports, midterm and final exam requirements, final grades, and the expectation that grading policies, scales, and calculations be posted on my syllabi. Most of my strategies in these contexts remain grounded in my minimum requirements approach. For interim reports and midterm grades, I submit only S (satisfactory) or I (incomplete) based on each student’s current status in relationship to minimum requirements at that point in the course; S is for students who have fully complied and I is for those missing work. I remind students and others that the I will become an F at the end of the course/class if students fail to fulfill the assignments. Midterm and final exams—both required at my university—have become different types of assessment: group and whole-class discussions, presentations, and portfolio assessment. And instead of posting how I calculate and average grades, and what grade scale I use, I include my minimum requirements statement on my syllabus.

I offer the above as no template or even demand, but one example of how I have tried to blend my educational philosophy with real-world expectations and non-negotiables.

I live under no delusion I can transform our formal education system into my ideal where we have no grades and no tests. But I do practice what I believe are more effective versions on these norms by delaying grades and lowering the stakes when students receive both rich and even numerical/grade feedback on assignments while they are exploring new or complex learning.

In short, this is my argument against those who brush away my de-grading and de-testing arguments as not realistic; they are.

But I also must push against those who believe my practices somehow encourage students not to be engaged in their assignments. I have witnessed for almost four decades now that the opposite is, in fact, true.

One reason I began this journey to minimum requirements instead of grading is that I watched students routinely take zeros (not do assignments at all) and still receive course credit. They were playing and manipulating the grade/averaging game of school.

Easily over my career, most of my students have participated fully and punctually with my assignments; overwhelmingly, they have shared that they feel more relaxed and engaged with their assignments without the immediate threat of grades.

While the novelty of my teaching and assessment practices cause some distress for students, traditional grades and the finality of summative assessments are far more harmful to student engagement and learning.

There is no perfect world—neither the world of traditional grading nor the ideal world without grades and tests.

But we can create a better world for our students, one in which they produce work and learn in a supportive environment where our primary role is mentoring through feedback instead of being the dreaded agent of evaluation.

My argument, then, is not for perfect or ideal, but better, better for our teaching, better for our students’ learning.

If You Are Grading, You May Not Be Teaching

Throughout my career of about two decades as a high school English teacher and then approaching another two decades in higher education (as a teacher educator and first-year/upper-level writing professor), I have avoided and delayed grading as well as eliminated testing from my classes.

My experiences with first-year and upper-level writing instruction have further confirmed that if you are grading, you may not be teaching.

Specifically, teaching citation and scholarly writing has revealed a problem that directly exposes why grading often works against our instructional goals.

First, let me stress again that the essential problems with grading include how traditional practices (such as assigning grades that are averaged for quarter and/or semester grades that are then averaged for course grades) tend to blur the distinction between summative and formative grades, inhibiting often the important role of feedback and student revision of assignments.

The blurring of formative and summative grades that occurs in averaging, as I have confronted often, deforms teaching and learning because students are being held accountable during the learning process (and thus discouraged from taking risks).

To briefly review the problems with grades and averaging, let me offer again what my major professor argued: Doctors do not take a patient’s temperature readings over a four-day stay in the hospital in order to average them, but does consider the trajectory of those readings, drawing a final diagnosis on the last reading (or readings). Thus, averaging is a statistical move that distorts student growth, deforms the value of reaching a state of greater understanding.

As I have detailed before, consider a series of grades: 10, 10, 85, 85, 85, 85, 85, 85, 100, 100 = 730.

The average is 73, which most teachers would assign, but the mode is 85, and if we note these grades are sequential and cumulative (10 as the first grade in terms of time, and 100 the last grade), a legitimate grade assignment could be 100.

In other words, using the same data, a teacher could assign 73, 85, or 100 to this student, and all can be justified statistically.

But another problem with grades and averaging that speaks to this post is something my students taught me when they complained about their math classes. Several students informed me that they had never passed a single math test, but had passed math courses.

The trick? Students earned bonus points for homework, etc., that were added to each test, on which students never reached a passing score.

This process means that cumulatively students never acquired so-called basic or essential math skills, but passed the courses, resulting in course credit that grossly misrepresented student learning.

Therefore, returning to my claim that grading may not be teaching, when we subtract for so-called errors to assign grades, we are allowing students to move through the learning process without actually learning the element being graded. In most cases, I believe, that strategy is teaching students that the element really doesn’t matter.

This dynamic is particularly corrosive when teaching scholarly writing and citation. Citation is one area of writing that doesn’t have degrees; you either cite fully or you don’t.

Many students, similar to the math students noted above, have never reached any level of proficiency with citing because they have mostly had points deducted for improper citation and then gone on their merry way, never having learned to cite fully.

If citation is essential, to grade and never require mastery of citation have two very negative consequences: (1) students do not attain an essential skill (and may exit formal education without the skill), and (2) students fail to understand the importance of drafting, receiving feedback, and revising.

Academic writing is challenging for developing young writers since it demands complex technical demands (such as citation and document formatting) and high expectations for content and style. Students need years and dozen of experiences reading and writing academic writing across multiple disciplines and varying conventional expectations.

But we cannot expect students to acquire the nuances of citation if we simply grade and never allow or expect them to cite fully and properly as an essential aspect of an academic writing experience.

As I make this case, I want to stress that as writing teachers we are trying to balance expectations for students and provide them low-stakes opportunities to draft with little or no consequences.

Students should have both writing assignments that demand minimum proficiency with key skills such as citation and writing contexts that foster and allow taking risks and working outside conventions.

Grading, I witness daily, inhibits both of those in ways that suggest the non-graded writing class is the best opportunity for students to learn in holistic and authentic ways that reveal themselves in student writing samples.

Because of their experiences being graded, I struggle to help students see that citation, grammar, mechanics, style, and content all work in unison either to support or erode their authority as writers and scholars.

I struggle to break through students resisting the drafting, feedback, revision process because they have been taught to submit instantly perfect work; that their identifiable flaws are the loss of points—not necessary areas to learn, grow, and excel.

As I end my thirty-fourth year teaching, I cannot stress hard enough that if you are grading, you may not be teaching, and your students likely are not learning the very things you value enough to assess.