Liberal Hollywood?: A Reader

With the current Oscar nominations being scrutinized as a mostly white/male celebration, I want to highlight that the recurring bashing of “liberal Hollywood” in the U.S. is being exposed as a false culture war similar to the bashing of “liberal/progressive public schools.”

Since the U.S. is governed and ruled by an essentially conservative elite (if you have power, you are almost always conservative in that you seek ways to keep the status quo that affords you that power), as I have discussed before, Kurt Vonnegut’s Cat’s Cradle is a brilliant fictional account of how those in power manufacture social battles to maintain control of the public.

Hollywood is not liberal or progressive; it is commercial.

Public schools are not liberal or progressive; they are traditional institutions of enculturation, governed by a white, middle-class ideal that is the type of fiction we often find in Hollywood.

The Oscar nominations reveal, then, that Hollywood is not a liberal demon, but a mirror of the essential inequity that remains in the U.S.—inequity of race, class, and gender.

Please consider:

Oscar Voters: 94% White, 76% Men, and an Average of 63 Years Old

The Oscars celebrates white men. What about the rest of us?

The Whitest Oscars Since 1998: Why the ‘Selma’ Snubs Matter

“Gravity”: The Unbearable Lightness of Being a Woman

True Detective: It’s Still a Man’s (Hostile) World, pt. 2

Both the popularity and Oscar attention focused on American Sniper are worth highlighting as a whitewashing of the already skewed ultra-patriotism in the U.S.; thus, also consider:

Pat Tillman (11/6/76 – 4/22/04): A Decade of Forgetting

The Controversial True Story Behind ‘American Sniper’

American Sniper feeds America’s hero complex, and it isn’t the truth about war, Alex Horton

The real American Sniper was a hate-filled killer. Why are simplistic patriots treating him as a hero?, Lindy West

The Legend of Chris Kyle

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